洛阳木札岭门票多少钱【最新20篇】

双叠瀑布游客您好!欢迎您来到双叠瀑布处。咱面前这条瀑布是双叠瀑布，长约50米，每两级为一叠，金鸡河左冲右穿形成四级飞泻下来，因此而得名双叠瀑布，看完后沿右边的爬梯走，经过中间一个自然形成的贵人低头处可看到藏在后边的一条小瀑布“藏秀瀑”。它象一淑女怕见生人那羞羞答答的样子，秀气之极，真是“养在深闺人未知，行到此处见芳姿”。鳄鱼滴泪及双龟弄涛游客朋友，欢迎您来到鳄鱼滴泪处。现在您看到凸出沟心的这块巨石像鳄鱼的头，上面常年滴水流淌，恰似鳄鱼的眼泪。鳄鱼石的上边不远处，河边又有两块凸向河心的巨石，恰似乌龟在戏水弄涛，故叫双龟弄涛。这两处巨石，都与蛟虬兄弟的故事有关。相传蛟龙被锁在崖内，虬为救兄，带着鳄鱼和乌龟夫妇行至此处。

鳄鱼忽听到托塔李天王擒蛟时擂动的天鼓余音仍响彻云霄，吓得不敢前往，想到返回虬龙也不会饶了他的后果，不觉流出了眼泪。这一流泪不打紧，鳄鱼顿时化成了一块巨石。乌龟夫妇正行间，见前面鳄鱼不知怎的变成了石头，又一猛听得天鼓余音，也不敢前往，想顺水逃走，怎奈天怒难犯，欲逃不能，也化做了两块巨石。这则故事告诉了我们一个道理，为虎作伥者绝没好下场!金鸡引路(歇一歇)(分开讲)游客朋友，欢迎您来到金鸡引路的歇一歇景点处。从这里往前面至金鸡谷瀑布处的每一个景点，又都与王莽撵刘秀的故事有关。相传刘秀率队进了重渡沟，行至此处，已是五更时分，众将士人困马乏，迷失方向，便在此处歇息。刘秀就靠在路旁这块石头上。这时候，队伍里面开始人心浮动起来。

有人悄悄议论：咱们跟着刘秀南北征战了几年，现在叫王莽追得精疲力尽。刘秀这人到底有无雄心大志，将来能不能得天下。若有，我们紧跟一趟也不枉;若无，不如趁早散伙。一个大臣提议：诗最能反映一个人的胸怀，咱们不如叫刘秀作一首诗。大家都认为这个主意好，纷纷提议让刘秀作诗。刘秀开始思考起来。这时，忽然前面传来一声鸡鸣，刘秀随口吟出：鸡叫头遍歇一歇。刘秀这一语出，众将士心凉一半，这叫啥诗?是顺口胡溜。有的人想离开队伍，提议作诗的大臣拦住说：他毕竟只吟出了一句，下面还有没吟完。等他吟完了再定不迟。于是，大家不情愿地随刘秀继续赶路。前面没有人烟，为啥会有鸡鸣?原来这鸡是玉帝派下帮助刘秀完成帝业的金鸡，给刘秀指引道路。

大殿为关林最大建筑，位于关林中心，充分突出了居中为尊的建筑意图。大殿为砖木结构的单檐庑殿顶式，高近20米，面阔7间，进深3间，总面积760平方米。庑殿顶上琉璃瓦覆盖，五脊横立，六兽扬威。殿四周飞檐外伸，如燕展翅，檐下斗拱交错，檐柱耸立，绕以回廊。大家抬头看大殿四据角，是不是都站有一人，有种说法说他们分别是庞涓、韩信、罗成、用瑜，只因为他们都曾背信弃义，遭世人唾骂，被称作历史上有名的“四短人”、“走尽人”，他们与关羽的浩然正气形成鲜明对比，让他们站立檐角也是在警示世人啊。

大殿正门上方高悬慈禧太后题的“气壮嵩高”匾。大殿门窗雕饰精美，看大殿正门，自东向西的高浮雕是关羽生平故事十桃园结义、三英战吕布、斩蔡阳、水淹七军、三结义、三顾茅庐、斩车胄、单刀赴会、挑锦袍、战吕布、斩华雄、斩颜良、诛文丑等共十二幅，还有二龙戏珠、凤凰戏牡丹、龙戏凤等，无不栩栩如生，呼之欲出，充分表现了明代木雕艺术的杰出水平。而且这些木雕因为有高大宽阔拜殿遮蔽，所以较少遭受风吹雨蚀，因而木雕上色彩依然鲜艳如初。大殿内现有塑像五尊，中间这位帝王装扮、神圣庄严的就是关圣帝君像，此像高6米，为我国关羽塑像中最大的一尊。两侧分立的是威猛暴烈的周仓、沉着稳健的廖化、深谋远虑的王甫、英姿飒爽的关平。我们走到大殿后门，看这组正对后门的高浮雕，中间这位丹凤眼、卧蚕眉、面如重枣、唇若脂、身着绿战袍、手拂长髯、睿智英武的关羽像，真实地再现关羽音容笑貌。罗贯中据民间传说关羽是个红太阳大汉的说法，塑造出了《三国演义》中一个肝胆侠义、正气凛然的关将军形象。这个关羽像就是依罗氏描述雕塑的，让人如见其人，如闻其声。关羽左右则分别是扛大刀的忠诚侍卫黑脸周仓和儒雅英气的义子关平。

洛阳丽景门被赞誉为中原第一楼，有诗曰“丽景城楼世无双”，是洛阳古城历史文化最具特色的标志，被评为洛阳市新八大景之一。丽景门再现了古都洛阳的风貌，其规模之宏大在河南古建筑中堪居首位。如今，重新规划后的城门楼结合老街等，形成洛阳唯一一处集吃、住、行、游、购、娱于一体的旅游景区。可以说，不到丽景门，枉来洛阳城。

景点分布：

丽景门座落在老城中心，倚护城河。景区由城门楼、瓮城、箭楼、城墙、丽景桥和护城河等部分组成，城门楼上设有天后宫、九龙殿、贤良庙、观音阁、城隍庙等大型号宫殿，城内是云集老字号商铺的文化街。许多博物馆、艺术馆等，也在丽景门周围。

景区特色：

休闲、访古、朝拜、购物、美食、城市地标、古建筑、文化街、宗教

各位游客：

大家好！

欢迎参加我们的旅行社，我叫张程渲，大家叫我张导好了，马上就要到达目的地了，我来给大家介绍一下我们的'终点站——龙门石窟。龙门石窟位于河南省洛阳市，它是我国石窟艺术的里程碑。那里又分为两个巨大的石窟：东山石窟和西山石窟。

其中最为壮观的要数西山石窟……到站了，游客们请跟好我，不要跟丢了，瞧，那就是西山石窟，非常美丽。我们先往这边走，看，这叫作潜溪寺。它为什么叫这个奇怪的名字呢？因为潜溪寺下面有源源不断的溪水而得名。这个里面的主佛为菩萨，佛像旁跟着二弟子，二菩萨，二天王等。我们再往前走走……现在，我们所在的地方叫宾阳洞，又称宾阳三洞，分别是北洞，中洞。南洞三个洞。

接下来，我们到了龙门石窟最有名的地方——奉先寺。卢舍那佛最有名，他身高一丈多，真是极品。

最后提醒大家不要破坏文物。乱扔垃圾，再见！

白马寺整个寺庙坐北朝南，为一长形院落，总面积约4万平方米。

主要建筑有天王殿、大佛殿、大雄宝殿、接引殿、毗卢阁等，均列于南北向的中轴线上。虽不是创建时的“悉依天竺旧式”，但寺址都从未迁动过，因而汉时的台、

井仍依稀可见。有五重大殿和四个大院以及东西厢房。

整个寺庙布局规整，风格古朴。寺大门之外，广场南有近些年新建石牌坊、放生池、石拱桥，其左右两侧为绿地。左右相对有两匹石马，大小和真马相当，形象温和驯良，这是两匹宋代的石雕马，身高1.75米，长2.20米，作低头负重状。相传这两匹石雕马原在永庆公主(宋太祖赵匡胤之女)驸马、右马将军魏咸信的墓前，后由白马寺的住持德结和尚搬迁至此。

走进山门，西侧有一座《重修西京白马寺记》石碑。这是宋太宗赵光义下令重修白马寺时，由苏易简撰写，淳化三年(992)刻碑立于寺内的。碑文分五节，矩形书写，人称“断文碑”。山门东侧有一座《洛京白马寺祖庭记》石碑，这是元太祖忽必烈两次下诏修建白马寺，由当时白马寺文才和尚撰写，至顺四年(1333)著名书法家赵孟頫刻碑，立于寺内的，人称“赵碑”。

白马寺山门采用牌坊式的一门三洞的石砌弧券门。“山门”是中国佛寺的正门，一般由三个门组成，象征佛教“空门”、“无相门”、“无作门”的“三解脱门”。由于中国古代许多寺院建在山村里，故又有“山门”之称。明嘉靖二十五年(1546)

曾重建。红色的门楣上嵌着“白马寺”的青石题刻，它同接引殿通往清凉台的桥洞拱形石上的字迹一样，是东汉遗物，为白马寺最早的古迹。

山门内东西两侧有摄摩腾和竺法兰二僧墓。五重大殿由南向北依次为天王殿、大佛殿、大雄殿、接引殿和毗卢殿。每座大殿都有造像，多为元、明、清时期的作品。毗卢殿在清凉台上，清凉台为摄摩腾、竺法兰翻译佛经之处。东西厢房左右对称。整个建筑宏伟肃穆，布局严整。此外，还有碑刻40多方，对研究寺院的历史和佛教文化有重要价值。

嗨！大家好！你们想去龙潭大峡谷一趟吗？那好，就跟着我走吧！

到了龙潭大峡谷的入口处，请不要私自乱闯！因为入口处有许多不能私自进去的危险地方，进去的话会被罚款的。

请看第一个景点：“水上乐园”！这个景点主要供游客们戏水。戏水时要注意安全，否则就会呛住水，甚至溺水。“水上乐园”分 5 个水池，名字分别叫：大鱼池、日月池、星星池、长寿池、海龙池。这几个池子样子不一样，没有哪两个是相同的。

请看第二个景点：“史前巨石”！它是在二叠纪的时候形成的，距今已有 6000 万多年历史了。这块石头高 60 米，宽 5 米，重 40 吨！这是龙潭大峡谷久远的历史见证！

大家看，我们脚下这条路镶嵌着各种鹅卵石拼成的精美图案，很有特色吧！如果你细心观察，就会发现这里的很多设施都是独具匠心的。

现在大家可以边走边看，我们这条路夹在笔直的峭壁之间，两边的峭壁都是一层层的沉积岩。大家看，像不像千层饼啊？当然这几百米高的峭壁绝不止千层的。

现在是深秋了，这里温度很低，希望小朋友明年暑假的时候再来，这里在盛夏时节将会是一个天然的避暑胜地！这里的景色我就不给你们一一介绍了，大家还是用自己的眼睛来欣赏这美丽的风光吧！祝大家看得尽兴，玩得开心！谢谢！

栾川县位于河南省西部，东与嵩县毗邻，西与卢氏接壤，南与西峡抵足，北与洛宁摩肩，素有"洛阳后花园"和"洛阳南大门"的美誉。栾川县东西78.4千米，南北宽57.2千米，总面积2478平方千米，现辖14个乡镇，全县山多地少，有名的山头达1.2万个，人均耕地0.59亩，素有"九山半水半分田"之称。县城面积10.2平方千米。栾川县先后荣获全国卫生县城、全国文明县城、全国生态建设示范县、全国科技先进县等56项国家和省级荣誉称号，栾川还是全国低碳旅游实验区和首批中国旅游强县，是洛阳市下辖经济强县之一，也是洛阳市重点规划建设的卫星城市。

栾川是国家首批十七个"中国旅游强县"之一，并开创了叫响全国旅游界的"栾川模式"。拥有两个国家AAAAA级旅游景区，六个国家AAAA级旅游景区，在全国县级行政区域内尚属首例。

目境内拥有龙峪湾、重渡沟、养子沟、伏牛山滑雪场、抱犊寨等7个国家AAAA级以上旅游景区和十余级家A级以上旅游景区，初步形成了老君山山水游，龙峪湾森林游，鸡冠洞溶洞游，重渡沟农家游，养子沟休闲游，九龙山温泉游，伏牛山滑雪游、抱犊寨红色游组成的旅游景区群。境内旅游设施齐全:目前县城和旅游景区周边兴建

有旅游集散中心，旅游商品交易中心，有2家五A级旅游休闲酒店(还有2家正在兴建)，三家四A级酒店，和众多星级旅游服务酒店。交通设施四通八达:通往洛阳和周边各县快速通道畅通无阻，洛栾高速公路正在兴建，计2012年底建成通车，经过栾川的其他两条高速公路也将在今年开工建设。

栾川旅游资源丰富。按国家制定的调查与评价体系，全国旅游资源分为8大类31个亚类155种基本类型，栾川有8大类26个亚类84种基本类型，分别占全国的100%、83.9%和54.2%。

栾川地处亚热带向暖温带过渡区，属暖温带大陆性季风气候，年均气温12.1℃，年日照2103小时，年均降水量862.8毫米，无霜期198天。 夏无酷暑，冬无严寒。有青山、老林、险峰、峻岭、幽谷、飞瀑、蓝天、白云、奇石、溶洞、温泉、翠竹、小桥、流水、人家，空气中负离子含量平均3万个/立方厘米，最高达6万个/立方厘米，被权威专家测定为中原空气最清洁的地方。

重渡沟自然风景区位于栾川县潭头镇西南10公里的熊耳山，是国家AAAA级旅游景区，区内竹茂林密，野生动植物繁多，800亩竹林密密层层，可与蜀南竹海相比美。重渡沟被业界权威人士魏小安先生称为“中国农家宾馆第一村”。到了重渡沟会看到杏花园、竹竿院、环翠居、故人庄等清雅质朴的名字点缀于窗含翠岭、竹环水绕的农家门楣上，这些富有山情风味，充满田园气息的318家农家宾馆星散于十里兰溪之旁，万亩竹海之中，床位已达1万余张。河南省省长李成玉称赞重渡沟是“生态旅游开发的典范;是家庭宾馆的楷模;是旅游带动脱贫的榜样。”国家旅游局局长邵琪伟对此亦给予了充分肯定。另有星级宾馆、豪华别墅，可满足高端客人之需求。

重渡沟重渡沟自然风景区凭借“水清、竹多、落差大”这些自然优势和“茶文化、竹文化、水文化、农耕文化”的有机融合，让游客享受不尽乡村漂流的浪漫和情趣，领略到重渡沟生态旅游和乡村旅游的别样风光。景区内林茂草丰，雉飞鹿鸣，四季泉水喷涌，常年飞瀑成群，翠竹碧水交织，肥鸭壮鹅嬉戏，水乡特色浓郁，堪称“北国一绝”。被著名作家张一弓赞为“高峡飞瀑藏幽径，绿水秀竹怀古情;竖看山水横看竹，上听鸟语下听泉。”东都漫士《洛阳赋》：重渡沟生态旅游之典范，龙潭峡黄河山水之画廊。

重渡沟是一个娱乐的天堂。除了金鸡河景区生态娱乐园的各种生态娱乐设施外，还有滑道、滑索、滑草及各种野外拓展训练设施。重渡沟漂流以激流勇进启漂而独具特色，惊险刺激，与众不同。还有水上跑步球、水上跳跳床、碰碰船、游艇、垂钓等适宜于各种消费群体的花样繁多的水上娱乐项目。

重渡沟的演艺广场能使游客展示自我、放松情感、亦歌亦舞、各尽所能。夜晚的篝火晚会能使游客尽情释放一天的疲惫，从中体验到浓浓的山野风情。大型购物超市中的猴头、木耳、香菇、鹿茸、山核桃、山葡萄等数十种山珍野果及琳琅满目的旅游工艺纪念品能使游客各取所需。坐在典雅别致的小吃水巷，不仅能领略江南风韵，还可尽情品味地道的山珍野味。

走进返朴历史百年，归真农家田园的农耕民俗文化村，吃的喝的用的种的，都是土得掉渣的，穿的玩的干的看的，全是百十年前的。可参与打铁、榨油、制作陶器;纺棉、织布、扶犁试耕;看狮舞、品老酒、尝水磨豆腐;旋木器、打草鞋、学持械狩猎，尽享民俗风情。夜晚观农家灯火，坐木凳，哼小曲，赏山月，听蛙鸣，不是神仙，胜似神仙。

重渡沟风景区凭借独一无二的水乡竹韵，独具匠心的开发风格，独辟蹊径的促销谋略，独树一帜的经营理念，短短几年时间，使千百年来“养在深闺人未识”的重渡沟一举唱红中原，声震北国，成为豫西南最具活力的金牌子景区。

Friends:

Today, I'm going to show you a famous tourist attraction in Luoyang - Baima

temple. Baima temple is located about 12 kilometers east of Luoyang City. It is

close to Mangshan Mountain in the north and Luoshui River in the south. It has

towering pagodas, towering halls, long forests and ancient trees. Not far to the

East, the ancient city wall of hazelnut groves still meanders on the Yiluo plain

intermittently, drawing out the grand outline of Kyoto, a great power in the

past. That is the former site of Luoyang City in the Eastern Han Dynasty.

Baima temple was founded in the 11th year of Yongping (AD 68) of the

Eastern Han Dynasty. It is the first temple officially established by the

government after Buddhism was introduced into China. It is the first Bodhi

Taoist temple for Buddhism originated from the South Asian subcontinent to

prosper and develop in the vast land of China. Therefore, it has always been

called "Shiyuan" and "Zuting" by the Buddhist circles. "Shiyuan" is the

birthplace of Buddhism, "Zuting" is the courtyard of the founder. It has played

an important role in the spread and development of Buddhism in China, in the

promotion of Ideological and cultural exchanges between China and foreign

countries, and in the development of friendship among the people of all

countries. In 1961, the State Council announced that Baima temple was the first

batch of national key cultural relics protection units. In 1983, the State

Council announced that Baima temple is the key Temple of Chinese Buddhism in

China. Not long ago, on June 2, __, Baima temple was designated as a national 4A

scenic spot by the National Tourism Administration.

Baima temple was founded in the Eastern Han Dynasty. It was destroyed for

the first time when Dong Zhuo burned Luoyang. Then it rose and fell. At the time

of Wu Zetian, Xue Huaiyi, who was in charge of the construction, reached its

peak. The most recent large-scale renovation was carried out in 1972 to welcome

Prince Sihanouk of Cambodia with the instruction of Premier Zhou.

The existing Baima temple is a rectangular courtyard facing south, with a

total area of about 60000 square meters. There is a wide square in front of the

door. The main buildings in the temple are distributed on the central axis from

south to north. There are five main halls in front and behind, which are

Tianwang hall, Great Buddha Hall, Daxiong hall and Pilu Pavilion. On the East

and west sides, there are bell, Drum Tower, Zhaitang, Hakka hall, Zen hall,

ancestral hall, sutra collection Pavilion, magic weapon Pavilion and other

ancillary buildings, which are symmetrical and well arranged. The two stone

horses in front of the mountain gate are 1.8 meters high and 2.2 meters long,

with gentle image and round carving. You may ask, are these two horses related

to the founding history of Baima temple?

On the foundation of Baima temple, the most popular saying is "Baima

tuojing". According to records in Guan's Buddhist books, one night in the

seventh year of Yongping in the Eastern Han Dynasty, Emperor Liu Zhuang (the son

of Liu Xiu) spent the night in Nangong. He dreamed that a golden man, who was

six feet tall and shining on his head, came from the West and flew around the

palace. The next morning, Emperor Hanming summoned his ministers and told them

the dream. Doctor Fu Yi said: I heard that there is a God in the west, and

people call it Buddha, just as you dream. After hearing this, Emperor Han and

Ming believed it, so he sent more than ten ministers, such as Cai Yin and Qin

Jing, to the western regions to pray for Buddhist scriptures and Dharma. In AD

65, Cai Yin and others bid farewell to the imperial capital and embarked on the

journey of "seeking scriptures from the west". In Dayue Kingdom (now Afghanistan

to Central Asia), I met Indian eminent monks, such as shemoteng and zhufalan. I

met Buddhist sutras and white felt statues of Sakyamuni Buddha. I sincerely

invited the two eminent monks to go to China to preach Buddhism. In the tenth

year of Yongping (AD 67), two Indian eminent monks were invited to carry

Buddhist scriptures and statues on white horses together with envoys of the

Eastern Han Dynasty to Luoyang. Emperor Hanming was very happy to see the

Buddhist scriptures and statues. He was very polite to the two eminent monks. He

personally received them and arranged for them to stay in Honglu temple, the

official office in charge of foreign affairs at that time. In 68 A.D., Emperor

Han and Ming ordered the construction of monasteries in the north of sanliyu

road outside Xiyong gate in Luoyang. In memory of the white horse carrying

Scripture, it was named "White Horse Temple". The word "Si" comes from the word

"Si" in Honglu temple. Later, the word "Temple" became a general term for

Chinese temples.

When it comes to Baima temple, many visitors will associate it with the

story of "monk Tang's learning from scriptures". In fact, from the perspective

of time, Baima temple was more than 560 years earlier than "Tang Monk's learning

scriptures".

The two stone horses in front of us are two excellent stone carvings of the

Song Dynasty. Around 1935, master Seng Dehao, who presided over the restoration

of Baima temple, moved them to the front of the mountain gate. As you can see,

the gate is a memorial archway style hilltop built in the Ming Dynasty. In 1987,

the top was renovated, and the three characters "White Horse Temple" on the

wooden plaque was inscribed by Mr. Zhao Puchu, the former president of China

Buddhist Association. The three gates symbolize the "three gates of liberation"

in Buddhism, which is called the gate of nirvana in Buddhism. The three door

openings are all made of brick and bluestone. Some of them are engraved with the

surnames of craftsmen. From the font, this kind of stone should be a relic of

the Eastern Han Dynasty, and it is the earliest cultural relic in Baima

temple.

On the west side of the gate of Baima temple, there is a huge half stone

tablet, which is about 1.7 meters high and 1.4 meters wide. It is said that this

tablet was written by Su Yi, a famous scholar and academician of the Song

Dynasty. Because its inscription is not written from top to bottom, but is

written in several rows with short lines, so it is called "duanwen tablet",

which is one of the six scenes of Baima temple.

On the east side of the mountain gate is the stele of the Yuan Dynasty,

which is 3.5 meters high and 1.15 meters wide. This monument was erected in 1333

A.D. and was written by Zhong huawencai, a famous monk of Huayan in the Yuan

Dynasty. It contains the following words: "the man of shangmengjin, flying from

the west to the west, was bright, and told his dream to his subordinates by Chi

Dan", "sent 18 people, including Cai Yin and Qin Jing, to visit Tianzhu in the

west, and met with samanga, moteng and zhufalan ”The inscriptions call Baima

Temple "Zuting" and "Shiyuan", and say "Shiyuan is in the middle of heaven, the

place of Guanyu Buddhism", which is in fact "the Enlightenment of Teng and LAN

monks". Zhong Hua Wencai later went to Wutai Mountain, one of the "four famous

mountains" of Buddhism, and became the first leader of Youguo temple. This

inscription should have been written by him when he was in zhuoxi Baima temple.

Regular script with inscriptions on steles is a rare art treasure of

calligraphy. Therefore, the tablet did not leave the name of the person who

wrote the tablet, so it became a pending case. But the font is "Zhao style".

In front of this East-West symmetrical building, on the east side is the

newly-built bell tower, in front of which are five "Mentou halls" built in the

period of the Republic of China; on the west side is the newly-built Drum Tower,

in front of which is the "Yunshui hall" built in the period of the Republic of

China. "Mentou hall" and "Yunshui hall" have been set up as Buddhist law

logistics office and tourism center.

To the east of the bell tower and to the west of the drum tower, close to

the walls on the East and west sides, are the tombs of two Indian monks. The two

eminent monks had been living in Baima temple for a long time to translate and

preach Buddhist scriptures, where they jointly translated the earliest Chinese

Buddhist Scripture forty two chapters. They passed away in Baima temple one

after another, and were buried in the temple. In front of the tombstone, there

is a tombstone erected in 1634, the seventh year of Chongzhen in Ming Dynasty.

"Tenglan tomb" is also one of the six scenes of Baima temple.

Now the main hall we see is called Tianwang hall, which is the first major

hall in Baima temple. This hall is named for the four heavenly kings. Facing him

is Maitreya Tatu. He is smiling and amiable. He holds rosary beads in his right

hand and cloth ribbon in his left. His image is vivid and interesting. He is a

sculpture of the Ming Dynasty. In the Buddhist temples of the Han nationality in

China, the first hall is usually dedicated to Maitreya. When people enter the

Buddhist temple, they will first see this happy image, which will produce a kind

feeling to Buddhism.

The large niche above the Buddha statue is carved with more than 50 Dragons

of different shapes. The carving is exquisite, and it is the best wood carving

art of the Qing Dynasty.

On both sides of the hall, there are four heavenly kings, also known as the

"four King Kong". They are: the eastern Heavenly King holding the Kingdom,

holding the pipa; the southern Heavenly King holding the umbrella in his right

hand, holding the demon in his left hand; the Western Heavenly King holding the

dragon in one hand, holding the Pearl in the other; the northern Heavenly King

holding the pagoda in his hand. According to a Chinese custom, one of the magic

tools they hold is different. They represent "wind", "tune", "rain" and "Shun"

respectively. The four heavenly kings are a group of clay sculpture works of

Qing Dynasty, which are burly and majestic.

This statue of Wei tuotian general standing in the north, known as the

"Dharma God", is a clay sculpture of the Qing Dynasty. It is dressed as a

military general and stands behind the statue of Maitreya. Facing Sakyamuni

Buddha, it is performing the task of maintaining the preaching ground and

forbidding the invasion of evil spirits.

There are many pomegranate trees planted on the East and west sides of the

temple. People say that "may pomegranate is as red as fire", but in Baima Temple

it is just the opposite, because the pomegranate here is white. Every April and

may of the lunar calendar, the trees are full of pomegranate flowers, crystal

white, jade like snow, very good-looking, really "may pomegranate white as

snow.".

The Great Buddha Hall is the second major Hall of Baima temple. On the east

side of the front of the Great Buddha Hall, there is a stele of "rebuilding

Baima Temple" written by Huang Jin in 1556. The stone tablet is 3.8 meters high

and 1.03 meters wide, which has important reference value for the study of the

historical evolution of Baima temple.

The Great Buddha Hall is the main hall in the temple, where major Buddhist

activities are held. Today's Great Buddha Hall was rebuilt in the Ming Dynasty.

Although it has been rebuilt by later generations, it still has the

architectural style of the blind generation.

There are seven statues on the altar in the middle of the hall. The statue

of Sakyamuni Buddha in the middle sits on the seat of Xumi, with a height of 2.4

meters.

The statue here is said to be the image of his last sermon. In this sermon,

he did not speak, which is called "speechless sermon". He only held a flower in

his right hand, which made people guess, that is, he "twisted the flower to show

it to the public" at the nirvana meeting. The symbol on the chest of the Great

Buddha means that the Buddha has "boundless blessing" and "perfect harmony of

all virtues". Therefore, the body has auspicious appearance, which means "the

place of auspiciousness". Wu Zetian defined the pronunciation of this symbol as

"ten thousand".

On the left side of Sakyamuni is mahakaya, the eldest disciple. In this

"speechless saying", only he understood the real intention of the Buddha, so he

broke his face and smile. Later, he was promoted as one of the top ten disciples

of Sakyamuni. Chinese Zen worshipped him as the first generation patriarch of

Indian inheritance.

The standing statue on the right is Ananda, the eldest disciple. He is

well-known and has a strong memory. He is known as "the first of many stories".

Chinese Zen Buddhism also promoted him as the second generation of patriarch who

inherited Buddhism in India.

On the left side of JIAYE is Manjusri Bodhisattva, on the right side is

Prajna Sutra, which is known for its profound knowledge and wisdom; on the right

side of Ananda is Puxian Bodhisattva, who holds Ruyi hook, whose virtue is

perfect and whose merits and demerits are boundless, which is known as

"Xingyuan".

Sakyamuni Buddha, Manjusri and Puxian Bodhisattva are collectively known as

the "three sages of Sakyamuni". These are three clay sculptures of the Ming

Dynasty. East and west stand by two statues to support heaven and man. They hold

flowers in their hands and have a delicate posture. They are also called "Sanhua

tiannv". When the Great Buddha preached the sermon, he offered support to heaven

and man, and scattered flowers one after another in the high sky.

Hanging in the southeast corner of the Great Buddha Hall is a Ming Dynasty

bell, which was cast by eunuch Huang Jin and weighs 2500 Jin. It is said that

there used to be a big bell in the White Horse Temple. When the moon is white

and the wind is clear and the people are still, the monks knock on it. The bell

rings all over the place, lasting for decades. What's more, as soon as the big

bell rings, the big bell on the clock tower of the old city of Luoyang, 25 miles

away, will also ring. As soon as the big bell on the clock tower of the old city

rings, the big bell of Baima temple will ring. This is "the bell of Horse

Temple". It is one of the eight sceneries of Luoyang, also known as "midnight

bell". It is one of the six sceneries of Baima temple.

The southwest corner of the hall is Dafa drum. The bells and drums here are

all the musical instruments that monks beat when they are engaged in Buddhist

activities.

In the rear of the Great Buddha Hall, this sitting statue facing the north

is called Guanyin Bodhisattva. Because of its back to the Great Buddha, it is

also known as "sitting upside down Guanyin".

Now what we see is the third main hall - Daxiong hall. Daxiong hall,

originally rebuilt in Yuan Dynasty, was rebuilt in Ming and Qing Dynasties. In

the east wall outside the hall, there is a stone engraved with the supernatural

records of the Han Dynasty by Mo Teng, which was re established in the Song

Dynasty. Bi Wu said that it "has a unique typeface like the preface to the holy

religion, and the calligraphy of the Northern Song Dynasty still has the style

of Jin and Tang Dynasties, which is good and lovely." At this moment, the stone

records the origin of the construction of Qiyun tower by Emperor Han and

Ming.

In the hall, on the ceiling. In the center of the hall, this huge

double-layer niche with wood carvings and gold stickers is exquisitely carved

and resplendent. In the middle of the upper niche, there is a roc golden winged

bird, which kisses the human body. On both sides of the bird, there are three

dragons in relief. According to Buddhist legend, the Dapeng golden winged bird

likes to eat dragons most. The dragon has no choice but to "complain" to the

Tathagata Buddha. The Tathagata Buddha draws a bunch of silk from his cassock

and covers a dragon with a piece of silk. From then on, the dragon was protected

by the Tathagata Buddha and no longer worried about the harm of Mirs. The

Tathagata Buddha also uses the supernatural power to make the offering change

infinitely. By substituting the offering for the dragon, it meets the

requirements of Dapeng golden winged bird and solves the contradiction between

the two sides. Both the dragon and the bird are happy. The design on the niche

probably originated from this Buddhist legend.

The three main Buddhas in the niches are sitting on the lotus throne with

knees on both sides. In the middle of the niches is Sakyamuni, who is honored as

"Mahatma", that is to say, he is as powerful as a great warrior. As high as 2.25

meters, the whole image gives people a sense of infinite solemnity, holiness and

tranquility. On the left side of Sakyamuni is the pharmacist Buddha of the "pure

glass world" in the East, and on the right side is Amitabha Buddha of the

"paradise" in the West. The three Buddhas have the same shape and style.

Before the three main Buddhas, Wei Tuo and Wei Li were standing opposite

each other.

There are eighteen Arhats on both sides of the hall. This group of eighteen

Arhats are sitting statues with different shapes. The height is between

1.55-1.61 meters. On the west side, there is a arhat, wearing a corolla and a

skirt, which is a dignified and elegant female image, while the other 17 statues

have their top cut. Some visitors call them the eighteen Arhats.

The three main Buddhas, the two heavenly generals and the eighteen Arhats

in the main hall are all statues of the Yuan Dynasty. There are 24 Maitreya

Buddhas in the temple of heavenly kings. They were transferred from the Great

Buddha Hall of cining palace in 1973. They are rare cultural relics in China.

Among them, the eighteen Arhats are the only remaining set in China and are the

treasure of Baima temple.

There are 5056 mural Buddhas on the East and West gables.

Wei Litian, standing at the back of the hall, is the only remaining clay

sculpture of the Yuan Dynasty in the temple.

The reception hall is the fourth major hall in the temple. According to

Buddhism, Buddhists can be welcomed and guided to the western "paradise" by

Amitabha Buddha when they have achieved certain achievements in their practice.

In the center, the Buddha is Amitabha, with his right hand extending forward and

downward to make a leading shape, and his left hand pointing to the western

"paradise". On the right is Guanyin Bodhisattva, and on the left is dashizhi

Bodhisattva, collectively known as the "three saints of the west", all of which

are clay sculptures of the Qing Dynasty. The reception hall was destroyed by

fire in Tongzhi period of Qing Dynasty and rebuilt in Guangxu period. It is the

latest and the smallest one built in Baima temple.

Now, please come with me to the qingliangtai. It is said that the

qingliangtai used to be a summer resort and a reading place for Liu Zhuang,

emperor of the Han and Ming Dynasties, when he was a child. Later, two Indian

monks lived here and translated scriptures to preach. The first Chinese Buddhist

sutra, forty two chapters Sutra, was translated from this place. Since the

Eastern Han Dynasty, it has always been a place for collecting scriptures. The

name of qingliangtai originates from monk qingruxiu, and is known as the first

of the six scenic spots in Baima temple. Such as Xiu Neng, Wen Neng, poetry,

calligraphy and painting are good. He named the six important monuments in Baima

temple as the six sceneries of Baima temple, which are Qingliang terrace,

burning Sutra terrace, Qiyun terrace, midnight bell, Tenglan tomb and duanwen

stele.

The whole stage, with Pilu Pavilion as the center, is surrounded by the

accessory hall, monk's room and veranda, forming a closed courtyard. Pilu

Pavilion is the last main hall in the temple. It was rebuilt in the Ming

Dynasty, with double eaves resting on the top of the mountain. In the middle of

the Buddhist altar in the temple, the main statue is Maha piluzana Buddha, or

Pilu Buddha for short, which means "Da RI Buddha", symbolizing the light and

boundless Buddhism. Pilufa, an important sect in Buddhism, is the highest

worshipped by Tantrism (also known as zhenyanzong)

伊河南岸（黑沟——栾川断裂带以南）至老君山花岗岩岩体之间，是距今18亿年至5.7亿年间，华北古陆块南缘地壳在以扩张伸展为主的构造动力学条件下形成的裂陷海槽中喷发的海底火山岩及火山沉积岩系，显示出裂陷海的构造环境。

四是十里杜鹃长廊，杜鹃它是我国的十大名花之一，在我们老君山上有四种，在土地垭已看过的是杜鹃花，又叫映山红；在这个地方大家可以看到的是每年5—6月淡紫色花的常绿秀雅杜鹃；以及每年5月开白色花叶子较大，叶色翠绿的河南特有树种河南杜鹃；另外还有一种是花朵比较大的白色太白杜鹃。最后我要告诉大家的是在马鬃岭上可以看到日出、云海、佛光、雾凇等奇观的地方，但是遗憾的是那些奇观却不是时时刻刻都有的，而是都需要一定的特殊环境才会有的：日出是晴天的早上有的，日复一日，太阳东升西落。但是日出奇观，始终吸引着众多的游客。观赏日出，成为许多风景名胜区的重要一景。如泰山，黄山北戴河等处看日出，作为伏牛山主峰的老君山也有日出这一奇观；云海是多发生在午夜或早晨，那是因为午夜和早晨时山地中多形成稳定的逆温层，逆温层上下空气密度和气流速度有较大差异，容易形成气流波动，形成云海；佛光是由光线的衍射作用产生的。在水汽丰富的山势高峻地区，半山腰常分布由白茫茫一片云海。当人站在山上，若光线从人的背后射过来，由于光线的衍射作用，会在人的面前的云幕上出现人影或头影，影外围绕有彩色的光环，就似佛像头上的彩色光圈，因此称佛光。雾凇那是大多在冬天的时候才会出现的，老君山雾淞在中原大地被称为奇观，河南日报著名摄影家王天定先生四上老君山，君山雾淞，名扬天下。那么我在这里就期待着大家下次再来邂逅那些奇观。

大家顺着我手指的方向看，西岸的那座红房子，就是三教圣殿，它建于宋代。三教圣殿里边供奉的便是儒、道、佛三教的开山鼻祖孔子、太上老君、释迦牟尼。像这样把不同教派的祖师爷们请到一起供奉的建筑，在中国实在不多见，每逢初一、十五到此上香的善男信女们络绎不绝。有兴致的朋友游览回来，可以到上面参观浏览。

各位游客，现在在我们右侧出现一条小河叉，由于山势蜿蜒，沟壑纵横，形成九曲十八弯，故名"九曲洞".涧长约1000余米，宽30---50余米，山上有一巨大山石耸立，饶有韵味，它有头有身，形状酷似一位老人，当地人称为"石人仙翁".个位游客，现在我们向右看，在高山顶峰有四块巧石南北对望，南边的一块像一位老妇人端坐椅子上，北边的三块形似三位少年向南下跪，这个景观就是"三娘教子".传说一位叫三娘的妇女，膝下有三个儿子，丈夫张兴老实憨厚，一家五口过着清贫的日子。

有一年久旱无雨，收成很不好，张兴就想去给人家干活挣些钱聊以糊口。一天他看到一富人家门前贴着告示，张兴不知道上边写的是些啥，就让一旁识字的人念给他听，别人念到"家请帮工，立字为凭，无钱、银送，无茶、饭供，干满仨月，一次结清。"张兴一听，就给财主干够了仨月，当他讨要工钱时，财主耍赖不给钱，官司打到县衙，县官和财主串通一气，就把字句的意思全变了，说是当时就说好了干仨月，"无银钱送，无茶饭供",不向你讨要饭钱就足够了，原来这是财主玩的文字把戏，欺穷人不通文墨。张兴又至怀庆告状为赢，一气之下，当即身亡。三娘是个刚烈女子，她决心不论日子怎样苦，都要让孩子读书识字，给穷人争气，为屈死的父亲争气，可是孩子总爱贪玩。一天，三娘把孩子叫到面前令其跪下，给他们讲了其父的死因，又给他们讲了许多刻苦成材的故事，从此，三兄弟发奋读书，终成大才。

朋友们：

你们好!

欢迎光临古都洛阳。现在向各位介绍一下洛阳市的概况。

洛阳市位于河南省西部，黄河中游南岸，伊洛盆地北缘，因居古代城区洛水之阳而得名。它东扼虎牢，西据崤函，北依邙山，南对伊阙，东南面向嵩、洛、伊、廛、涧四条河流蜿其间，自古就有河山控戴，形胜甲天下，且居天下之中的美誉。

如此险固的地理形势和优越的地理位置，使之成为历代帝王的理想的建都之所。根据历年的考古发掘和大量翔实的历史文献验证先后曾经有夏、商、西周、东周、东汉、魏、西晋、北魏、隋、唐、后梁、后唐、后晋等十三个朝代在此立国，时间长达1500多年。此外，又有8个朝代将其作为陪都。所以，洛阳是七大古都中建都年代最早、朝代最多、时间最长的天下名都。由于洛阳长期作为全国政治、经济、文化、科技、交通中心，所以所多历史上的重大事件都发生在这里，有许多重要人物活动都在这里。因此大历史学家司马光说：若问古今兴废事，请君只看洛阳城，这就是说洛阳是中国历史的缩影，如果你想了解5000年的中国，那你必须来看洛阳。

即使在今天经过历史的冲刷，洛阳依然有着丰富的文化遗存、名胜古迹。数量之多这里就无法历数了，我们将在随后的游览过程中为大家一一讲解。

洛阳不仅是闻名中外的历史文化名城，而且是举足轻重的现代化工业城市和重要的科研基地，其工业与科技实力和外贸出口在河南省首屈一指。有第一拖拉机场，轴承厂等一批全国知名的大型企业和研究所;洛阳还有丰富的煤炭、钼、黄金、铝土等矿产资源和森林资源;有四通八达的公路、铁路、航空交通网络、航空口岸及海关;还有全国规模较大的综合性市场----关林商贸城;有享誉中外的历史名酒杜康酒、唐三彩和洛阳水席;有甲天下的国色牡丹。每年四月的牡丹花会，曾吸引无数中外朋前来一睹盛况，大饱眼福。真可谓：花如海，人如潮，花开花落二十日，一城之人皆若狂!

如今，洛阳正借助国家实施西部大开发的强劲东风，抓住这一难得的机遇，实施东引西进战略，加快发展步伐---撤销郊区，调整区划，拉大城市框架;配合创建国家优秀旅游城市和文明城市，大搞基础建设和内外部环境整治;提出大旅游发展战略，对龙门石窟、白马寺、关林庙三大景点的周边环境进行治理;做出为龙门石窟申报世界文化遗产负重加压，背水一战的果断决策，经过不懈努力，获得圆满在功;建设洛浦公园，营造优美环境，再现当年洛浦秋风胜景。。。。。。。

朋友们，洛阳市委、市政府这些举措，将随着时间的推移，以其良好的社会效益和经济效益，日益明显的表现出来。这是一个良好开端。相信不久的将来，洛阳定会以崭新的姿态让世人刮目相看，洛阳的明天会更加辉煌!

我的介绍完了，预祝朋友们今后几天的洛阳之旅愉快!

朋友们，几处历史遗迹，使我们感受了世事沧桑，两位亡明忠烈人物又让人为之荡气回肠。忠烈已作古，山河依旧新，还是让我们继续欣赏这千秋君山画轴吧!

朋友们，前面这块巨石，名叫摞摞石，当年太上老君骑着青牛驾彩云来到景室山，因青牛走路用力过猛，将这块石头踩翻滚下山去，当时山崩地裂，响彻云霄惊动玉皇大帝，玉皇闻声，掐指一算言道“石破天惊，道德天尊，驾临景室，传经布道，乃凡间幸事”。太上老君往后一看，山石滚落，忙将手中拂尘一扬，大石飞起，落回原处，严丝合缝，才松了口气对青牛说：“大石落山，有伤害生灵之忧，你我务必小心才是”，青牛“哞”的一声点了点头往峰顶而去。九百年后唐朝诗人李贺听说了这个故事，写出了“石破天惊逗秋雨”的千古绝句。

朋友们，从这里到上边的停车场大约还需要15分钟路程。为了使您这15分钟过的愉快、充实，在您继续欣赏老君山风景的同时，我想给大家介绍一下老君山一年四季最为瑰丽醉人的季节——君山秋色。

朋友们，如果你秋天再次光临老君山，老君山的秋色一定会使你不虚此行!现在我们继续观看美丽的老君山主轴。随着观光旅游车轮的停止转动，我们便到了救苦殿洼停车场。这里是登山车的终点站。再往上走就是登山旅游步道。如果说，我们从下边到这儿是走马观花粗看景，那么，从现在开始我们就开始下马观光细品味了。

这个地方救苦殿洼，是上山路上最大的一片开阔地。上面山岭重叠，林木苍翠，保留着森林的原始林貌。南边通老君山峰顶，东南山凹叫救苦殿凹，西边可通舍身崖。

(小路口)前边这棵树叫“领春木”属国家级重点保护植物，又称“钥匙树”，秋天，叶子变红后又变黄，是着名园林观赏树种。

奇特的舍身崖景观，由空古来风和众多的华山松组成，脚下千尺峭壁，颇为雄险。

眼前这片灰绿色针叶树木叫华山松，材质优良，可做建筑材料和家具。其种子较大，含油，可食用，生于海拔1000米以上山坡中。

前面那棵皮灰褐色片状脱落的，是油松，属中国特有树种，其材质优良，是优质的建筑材料和家具用材。

西汉末年，王莽篡权夺位，建立新朝，天下大乱，刘秀率兵讨伐，在南阳白河滩被王莽打败。王莽得知刘秀是汉王朝的后裔，便追杀刘秀，刘秀逃至伏牛山伊河(现潭头盆地南缘)被伊河挡道。刘秀率部下两次渡过伊河，见一无名沟口。便派部下寻找当地人，却不见人烟。刘秀说，我们两次渡过伊河来到这里，这条沟就叫做重渡沟吧。金口玉言，沿袭至今没有变过。重渡沟因此而得名。现在的重渡沟已开发成为绿色休闲会所、生态快乐车间、自然健康家园;来休闲度假的游客年年重渡，所以重渡沟已经是名副其实的重渡沟了。注意事项1.由于风景区内山高路远景点较多，请大家一定要跟好队伍，在游览时统一行动，为了大家的人身安全，没有防护设施的地方千万别去，以免发生危险。

2.对景区内的花草、树木、景点介绍标志或其它附属物不要损坏。3.为了保护和美化环境，用过的各种饮料瓶及其它的污染物，要放入固定的垃圾箱内。4.防火安全，进入景区也是洗涤心肺的场所，爱抽烟的男士也要暂时的停止您这项特长工作了。景区是绿色无污染的无烟区，谢谢合作!5.为了保护重渡沟的生态旅游资源，做文明游客，请您不要带走重渡沟的一花一草一石，只带走您在重渡沟的靓丽留影和永久的回忆。风波桥游客朋友，您现在已站在风波桥上。这里翠竹环抱，清流哗哗，是重渡沟金鸡河与滴翠河的交汇处。为什么将这座桥名命“风波桥”?与当年开发重渡沟时新旧观念的碰撞密切相关。原来这里并没有桥，两头也没有路，是成片的竹林，有一条简易公路顺河延伸。

Originally the peony is China's famous traditional flowers, wild plants, and thorns, mainly from the qinghai-tibet plateau in China, the Yellow River basin, bashan qinling of zhongtiao mountains, shanxi, henan, funiu and MangShan and other regions, the original peony community can be traced back to 3000 years ago.

In luoyang peony cultivation, according to historical records: began in sui and sheng in the tang dynasty. "Name of guilin" in northern song dynasty period "SuiZhi · plain question" in a "qingming festival times 5, peony China". Since sui, peony on the basis of folk culture, begin to enter the royal garden, become a pet palace. In 604 AD, emperor yangdi capital luoyang company, monarch xiyuan weeks in 200, a variety of royal peony peony became the first in the history of Chinese. When tang and song dynasty, luoyang has been in the capital, capital position, cultivation, ornamental peony FengRi sheng. The tang dynasty poet bai juyi's "flower bloom 20, if people are crazy" of a city is true portraiture of the situation at that time. Royal today, temples garden, private garden, with the song dynasty neo-confucianism shao yung has written "festival only two world, the world famous heavy luoyang" of a sentence, can want to at that time, the luoyang garden house, the flower of the spectacular. Each to bloom "emperor city spring sunset, cry cry chariots and horses, a total of the peony, hand to buy flowers." Become a beautiful landscape city of luoyang. Poet liu yuxi "but the peony true national color, the blossoms to move the capital" and the song dynasty scholar sima guang "luoyang spring the most prosperous, red and green among 10 m, who is the flower, like the splendid, people will be splendid study group spent." All paint luoyang people eat during tang and song dynasties frenzy.

All is China's famous hundreds of flowers, long, enlisted qunfang, but only the peony high grade. It flowers gigantic, wide variety, the myriad of feminine beauty, crown recalled. Concept of "ancient and modern florilegium, more than 360 kinds of beauties, none but with peony comparison. Therefore, known as" the king of flowers ". And the luoyang is located in the central plains, mild climate, rainfall is moderate, suitable for the growth of peony. The song dynasty writer ouyang xiu in luoyang high rank, he enjoyed the luoyang places of interest, have a special liking to the luoyang peony, author of "luoyang peony". His "luoyang ley spent the most appropriate, particularly heaven" peony verse says the luoyang peony growing advantageous natural conditions.

It is said that long time ago, wild peony on MangShan people not expensive, often cut the wood, a young very pity, transplanting it hospital, elaborate care. In a handkerchief, embroidered peony flowers. The young man wondered, was about to ask girls suddenly disappeared. XiuPa, but see a top have a poem: "name of luoyang, Mang range for my home. Are you feeling heavy, spring to see the wonderful work." In the second year spring, the youth was certainly rich gorgeous peony trapped in the home, graceful, from then on he would make a living by planting peony, family became more and more abundant. Point of view, the legendary the epigenetic the luoyang is the earliest "peony growing expert".

Since the tang dynasty, thousands of years, made a number of cultivation of luoyang peony skillful craftsman. Liuzhou, record the recorded: "song single parent, word ZhongRu, poetry, good plant. All peony one thousand kinds, red and white color, people do not know its operation,'d called to mount li (li) plant ten thousand copies, individual color, give daughter, imperial secretary call division for flowers." All previous dynasties scholars intone the luoyang peony flow spit relapsed, KuangDai unique appearance of verse. Tang wang also really write the luoyang peony, "peony enchanting disorderly, a country such as crazy do." Great poet bai juyi wrote in a poem "flowers", "ten households in a clump of dark flower, fu", "fan of every acquisition for customs, all in one", the poem says the luoyang peony's precious and people's love of the peony. It is said that tang tai years, spring, on the day of li han Leon, the temple to watch the peony, asked the painter Cheng Xiu f: "sung today Beijing city peony poems, who headed?" Cheng answer: "in the book scheeren lee cloud: freed national color to the wine, day sweet night dyed garments." Leon listen to praise, he said the luoyang peony "amusement", so the peony has the reputation of "amusement".

Thousands of years, luoyang peony beautiful, various, gorgeous and charming. Ouyang xiu's "guest said recent years old take specific, often conjure up a hydraulic-powered tree-trimmers" speaks the truth. In the history of sheng peony varieties of up to 119 a. Now has more than 500 varieties, in a nutshell, can be divided into three, nine, ten. Three categories, namely, single head, start and mixed type. This is according to the classification in the number of flowers, flower for single headdress flower, flower for double flowers, three for three peony flowers. Nine color is red, pink, purple, blue, yellow, white, green design and color, such as this are classified according to the color of the peony. Ten type mainly based on what the luoyang peony petals, size, flower arrangement and the morphological characteristics of classification. In the 19th century, British scholar evolution Darwin in his masterpiece "on the origin of species" quoted ecological variation of luoyang peony, as proof of his theory of "evolution". The song dynasty, luoyang yao yao people's yellow and developing the erros of prime minister Wei Renbo home Wei Zi known as kao, flower after respectively. "Yao yellow one, and the brilliant breath is like cutting". Candidates.if your years, luoyang has pressed the song god yao yellow flower, flower large feet 2 inches, he excited, regardless of the reigns of his identity, and placed it over his head, visible, the emperor's obsession in the peony, and from then on famously.

Since the tang and song dynasty, many bookman at a magnificently for peony poem writing, form a plethora of peony culture, and deduces many myths and legends about peony, soft smell things.

Legend, lunar month two years should, xiking changan heavy snow, wu zetian drinking poetry, on an impulse drunk pen write fen book: "swim Ming dynasty garden, rushing harbinger, stamen overnight, mo monring winds to blow." Flowers not this life, open overnight, peony not violations in season alone, shut the core. Wu zetian rage, peony fall out of changan, sent in luoyang, and to the stake. Peony has been the rule, the body such as coke; But branch do not come loose, standing still in the freezing cold, next year when the spring breeze blow, more brilliant flowers, known as "focal bone peony".

Another legend of peony, it is tang clear huang lung-chi lee kai jade bracelet ChenXiangTing vigil changan palace, the "harem of three thousand people, three thousand pet in a" your princess, hearing the luoyang peony has been in full bloom, and the wood in the JinYuan peony is at the end of the bud, then make the imperial secretary drum rush, flowers are still does not open, she was in a rage, will all fall to luoyang peony. Luoyang peony in Tokyo, in a flash, bright flowers branches, blooming together. In fact, with scientific attitude, xi 'an and luoyang on the same latitude line, but the temperature and humidity are slightly lower than luoyang, luoyang, west across the mountains, and in the MangShan Yang, the chang an early spring. Therefore, generation by Li Baiyou "qingping tune" word "taken two phase huan pour countries, often have the Kings grinned see, explain the infinite hate, dongfeng ChenXiangTing north lean on a railing" flea in jade bracelet, is the imperial concubine bear a grudge, derogatory generation by hyperbole, lifelong grief may not be the volunteers.

These legends show peony jubilant, unwavering in style, it is also the clank iron character of the Chinese nation and integrity.

Since luoyang peony enjoys a good reputation at home and abroad, to buy an endless stream, sui and tang dynasties frequent exchanges between China and Japan, luoyang peony spread to Japan, the Japanese people's distribution of wealth. Neighbor north Korea, South Korea is also widely cultivated in China, then, the americas, Europe, many countries have successively introduced, called the luoyang peony flower "China" or "flower days god". Soldiers in song dynasty, the central plains, luoyang today, peony cultivation, breeding and subsequently fails, moved to the southern city of hangzhou. Jing and bright state, tsaochow people since the law transplant peony, become the new peony resort. Sichuan day peng are luoyang peony famous plant, jiangsu yancheng, since then, luoyang peony throughout China. After the founding of new China, due to the experienced the vicissitudes of life, luoyang peony only more than 30 varieties. In the autumn of 1959, prime minister Zhou Si to luoyang tractor factory, and specifically about the situation of the luoyang peony. Premier zhou's concern caused the luoyang city government attaches great importance to, quickly return to expand acreage, one after another in the city park, the peony park; Xiyuan, can garden, open up the peony viewing area, and the new mail mountain national color peony, los pu park formed ten kilometers peony promenade, and built one thousand mu of peony gene pool; The peony as the city flower of luoyang NPC standing committee and was started in 1983 the annual peony show. From then on, the peony everywhere, every family, every day, to more than 500 peony varieties development. Yellow flowers every year, yao, Wei Zi, tsing lung lie the inkwell, drunken beauty peony famous brand, such as the charming attitude, see the flower heads, such as chi, like drunk, like a dream, like magic. Luoyang city park has set a record of every nearly 300000 people a day. Flower stage, residents rushed to view the city, town. Is: "watching flowers peony, everything all forget since I don't know."

With the peony show set each other off becomes an interest is luoyang peony Lantern Festival. Luoyang colored, gu sui, tang, more than 1000 years, has become a big people festival festival custom. In recent years, luoyang lanterns excellent reputation, become one of the three big Lantern Festival in China. Day to watch the peony night view of light, the annual peony show to a climax. Peony Lantern Festival every year, thousands of dye flow xia tao drunk all over the sky stars, wanjiadenghuo shook silent night sky. Such as lights, such as poetry. Painting colorful, make you don't know is oneself or human fairyland. More it is worth mentioning, winter 1994, national campaign "national flower" leadership team through the press candidates spent solution is: a country - the peony flower. At this point, an early nine dynasties rong snow clothe with silver, and luoyang refractory research institute a peony flower bed is a proud timely snow in full bloom, people sell, all without exception. Xinhua news agency and other dozens of news media scramble to report, exclaim, "national flower spread good news, the peony should know the snow laugh" wonders in one hundred.

In recent years, luoyang peony not only out of the country, but also sold to Japan, the United States, France, Singapore and other countries and Hong Kong, Macao and Taiwan regions, the end of the peony "can see can't buy" history. Peony have also made a series of scientific research achievements, the technology has the new breakthrough, basically achieved the "flowers bloom as well, spring to autumn to irrelevant", which laid a foundation for further development of luoyang peony.

Poets in lee ge fei has: "the world of governing revolution, hou to rise and fall of luoyang, rise and fall of luoyang, hou xing in garden waste." Temporal change, things change, all without exception shows people with a philosophy: goodsky flower glory. Today, our country is coruscate gives new vitality, the peony like rosy clouds in the east, adorn the expeditions of the earth. Peony, this eternal soul, telling us hard to think of the Chinese nation as an epic. Luoyang, luoyang peony to dress for the peony. The peony and the ancient capital of blame. Song times flowers, flower pregnant vitality; Luoyang peony is out of the country, go to the world of tie and bridge, peony, is the ancient capital of aesthetic badge, it will accompany the onward march of luoyang, towards a new brilliance.

大家好，欢迎大家来到我们美丽的洛阳，我是你们的导游,现在正逢第27届洛阳牡丹花会和世界邮展期间，所以洛阳也是热闹非凡，请大家在观赏牡丹花的时候一定要照顾好自己的物品，下面大家就由我带领大家观赏洛阳牡丹，首先给大家介绍一些洛阳牡丹的知识。

牡丹是我国著名的传统花卉，原为野生植物，与荆棘无异，主要产于我国的青藏高原、黄河流域、巴山秦岭、山西的中条山、河南的伏牛山和邙山等地区，原始牡丹群落可追溯到3000多年前。

牡丹在洛阳栽培，据史料记载：始于隋而盛于唐。"名甲天下"于北宋时期《隋志·素问》中有"清明次五日，牡丹华"的记载。自隋以来，牡丹在民间栽培的基础上，开始进入皇家园林，成为宫廷的宠物。公元620xx年隋场帝建都洛阳，辟西苑周200里，多种牡丹成为中国历史上第一个皇家牡丹园。及至唐宋，洛阳一直处于国都、陪都地位，栽培、观赏牡丹之风日盛。唐代诗人白居易的"花开花落二十日，一城之人皆若狂"即是当时状况的真实写照。皇家宫苑，寺观园林，私家花园鳞次栉比，宋代理学家邵雍写有"人间佳节唯寒食，天下名园重洛阳"之名句，可想当时洛阳园林之盛，花卉之壮观。每至春暖花开时"帝城春欲暮，喧喧车马度，共道牡丹时，相随买花去。"成为京城洛阳的亮丽景观。诗人刘禹锡的"惟有牡丹真国色，花开时节动京城"以及宋代文人司马光的"洛阳春日最繁华，红绿丛中十万家，谁道群花如锦绣，人将锦绣学群花。"均描绘出唐、宋时期洛阳人们赏花的狂热程度。 中 华 考 试 网

中国的著名花卉数百种，各显其长，入伍群芳，但惟有牡丹品位极高。它花朵硕大，品种繁多，姿色万千，冠压群芳。"观古今花谱，佳丽360多种，无一可与牡丹伦比。因此，被誉为"花中之王"。而洛阳地处中原，气候温和，雨量适中，适于牡丹生长发育。宋代文学家欧阳修在洛阳做官时，他饱览了洛阳名胜古迹，对洛阳牡丹情有独钟，著有《洛阳牡丹记》。他的"洛阳地脉花最宜，牡丹尤为天下奇"的诗句道出了洛阳牡丹生长得天独厚的自然条件。

据说，很早以前，邙山上的野生牡丹人们不以为贵，常割其为柴，有个青年十分怜惜，将其移植院内，精心护养。在一一方手帕，上面绣有大朵的牡丹。这个青年纳闷，正要相问少女忽然不见了。展开绣帕，但见上面题有一首诗："芳名洛阳花，邙岭为我家。感君情意重，来春见奇葩。"到了第二年春，这位青年家中的牡丹花困果然丰硕艳丽，婀娜含情，从此他便以种植牡丹为生，家境日见丰裕。看来，传说中的这位后生该是洛阳最早的"牡丹种植专家"啦。

自唐代以来千余年间，洛阳出了不少栽培牡丹的能工巧匠。《龙城录》中记载："洛人宋单父，字仲孺，能诗，善种植之术。凡牡丹变易千种，红白斗色，人不能知其术，上皇(唐玄宗)召至骊山植万本，色各别，赐千金归，宫人呼为花师。"历代文人学士吟咏洛阳牡丹流香吐馥、旷代绝姿的诗句美不胜收。唐人王亦真写洛阳牡丹："牡丹妖艳乱人心，一国如狂不惜金。"大诗人白居易在《买花》一诗中写道："一丛深色花，十户中人赋"、"家家习为俗，人人迷于悟"，此诗道出了洛阳牡丹的珍贵及人们对牡丹的挚爱。

White horse temple is located in the henan luoyang city east, 10 kilometers

in the south-north luoyang city harmony door 1.5 kilometers to the west, called

Jin Gangya temple, the so-called "China's first ancient temple", is the Buddhism

was introduced into China after the first official temple. It was built in the

eastern han dynasty emperor yongping eleven years (AD 68), it has a history of

nearly 20__ years.

White horse temple original structure size is extremely magnificent, past

dynasties and rebuilt several times, but because of the war, rise and fall

several times, ancient architectural structures, the people's government to

preserve the famous cultural monuments, had repeatedly repair. Existing five

major temple and four compound and wing. Prior to the gate, the gate is three

arch side by side. Mountain gate, a pair of stone lions and a pair of stone

horse, schism, inside the gate on both sides of things have taken the second

monk's tomb and zhu flange. Five major temple from south to north in turn as the

great, big Buddha hall, male temple, temple and which the Lu Dian. Each hall has

statues, many works for the yuan, Ming and qing period. Which the Lu Dian on the

cool and refreshing, cool and refreshing for taken the teng, zhu flange

translation of buddhist scriptures. Wing left and right sides is symmetrical.

The whole building grand solemn, layout in neat formation. In addition, there

are 40 many inscriptions, is valuable to study the history of the temple.

White horse temple sits, existing is a rectangular courtyard, covers an

area of about 40000 square meters. Temple gate, square south have in recent

years, newly built stone memorial arch, free life pond, stone bridge, the left

and right sides of the green space. About relative two stone horse horse, size,

and so the horse, gentle and harmless, this is two song dynasty stone carving

horse, horse is excellent stone carving art. The white horse temple gate for the

reconstruction of Ming dynasty, for a three arches, side by side on behalf of

the three free door, Buddhism is called nie pan gate. Part name, certificate

face carved over the doorway craftsmen are relics of the eastern han dynasty.

Temple five layers existing hall, located on a straight axis, partial temple on

both sides are symmetrical to each other. In the great hall, in the middle of

woodcarving niches, niche stick around and more than 50 of golden dragon. Within

the recess for the maitreya, namely "happy Buddha". He laughs, barefoot sit

cross legged, vivid and interesting, was in stitches. Inside two side, four

major Kings sitting majestically, is the patron saint of buddhist. Smiling

Buddha (after the wei tuo days, Buddhism guardian deity, towering stands, shows

the majesty of the dharma).

White horse temple east gate walk about 300 meters, there is a 13 layer

JiYun tower, straight into the sky. JiYun tower was built in the five dynasties

period, originally, when the invasion of nomads from song dynasty burned. Rulers

of great years to rebuild the tower, has been 800 years of history.

White horse temple building grand scale, the present layout of jiajing

rebuild, only great, big Buddha hall, male temple, temple four halls. The gate

on both sides of things of gad Ye Ma and zhu flange second monk's tomb.

Backyard, in which the Lu Ge broken stone, engraved with the history of the

white horse temple is an important historic sites, temple preaching tang by

building (read bed), yuan inscriptions have high artistic value. Temple

originally also unearthed jade carved maitreya Buddha, has been stolen to the

United States. The inside of the temple of Buddha is mostly yuan substitute dry

lacquer, especially the Buddha Ursa major, is the best of the luoyang existing

statue. According to records, The Three Kingdoms wei is the white horse temple

have big pomegranate, jingshi legend: "charming sweet pomegranate, a stone."

Temple east there is a big jin at fifteen years (1175) to build JiYun tower.

好了朋友们，现在我们从南阳出发据我们的目的地还有5个小时的路程。现在有我来简单介绍一下我们今天的行程。青天河所在地是焦作市，焦作市位于河南省西北部，我们要上沪陕高速，二广高速经过洛阳到达焦作。既然大家要去焦作旅游，肯定要对焦作有所了解。接下来，我来给大家介绍一下焦作。焦作市的山水风光秀美壮丽、如诗如画。他有云台山，神农山，青天河3个5A级景点。焦作的人文景观也是星光灿烂，多姿多彩。焦作古为怀庆府所在地，是中华民族的发祥地之一，有着深厚的历史文化底蕴和丰富的文化内涵。韩愈、李商隐等历史名人诞生在这里。陈家沟为中华太极拳发祥地，是中外太极拳爱好者向往的太极圣地，全国有代表性的杨、武、吴、孙等诸多太极拳流派皆源于此。太极拳目前已成为人类共同参与的、人数最多的世界第一武术运动，堪称中华民族武术奇葩和世界文化瑰宝。还有那不得不提的四大怀药!不仅是在国内受到大家的广泛欢迎，甚至是在国外也是十分走俏。

洛阳水席是河南的一大名菜，它已有一千多年历史，水席以汤为主，吃完一道，再上另一道，如行云流水，所以叫“水席”。

沿至今日的洛阳水席全席二十四道菜，分别是八个冷菜、四个大菜、四个中菜和四个压桌菜。

席面上先摆四荤四素八个凉菜，接着上四个大菜，每上一个大菜带两个中菜。第四个大菜上甜菜甜汤，后上主食，接着四个压桌菜，最后送上一道“送客汤”。二十四道连菜带汤，章法有序，毫不紊乱。

真命天子假燕窝水席的另一特点是素菜荤做，以假代真。水席中有名的“洛阳燕菜”、假海参等，都是民间普通的萝卜、粉条，但经厨师妙手烹制后，便脱胎换骨，味美异常，如奇花绽放，让人叫回味其中。说起洛阳燕菜，它是洛阳水席的第一道大菜为水席中的上肴。此菜制作精细，口味酸辣香郁，鲜嫩清爽，常常让人流连忘返。

洛阳水席不仅盛大宴会受欢迎而且民间婚丧嫁娶、诞辰寿日、年节喜庆等也习惯用水席。它作为传统的饮食文化，和传统的牡丹花会、古老的龙门石窟并称为洛阳三绝。

3.河南洛阳导游词

飞虹瀑布是重渡沟的标志性景观之一，落差40余米。分两级组成，上部分像抻开的白绫。“白绫”下面是深达3米的革面潭。下部分像舞动的银练。雨过天晴会从瀑底潭中飞起一条彩虹直向云天，有虹飞千山、练舞万壑的气势，瀑布便因此而名。

金鸡河景区位于重渡沟西南部，景区全长3公里，景区入口距河水发源处相对高差340米，金鸡河是由喷涌而出的剑插泉、象吐泉、铸链泉、天井泉等汇集而成的一条常年性河流。

滴翠河景区位于重渡沟西北部，全长5。5公里，有天女植竹，竹翠欲滴，碧水清流在竹林中穿行而得名。景区内有竹林千亩，铺天盖地遮天蔽日得竹海绘成了滴翠河景区得主画面。

农耕村位于重渡沟景区滴翠河尽头处。

进入重渡沟农耕村，扑面而来的是绿色的长廊，爬满青藤的土墙茅屋，穿着土布的山民，各种手工作坊、民间艺术表演场;扑鼻而来的是酒香油香。主要景点有水打磨、狮子上绳表演场、魔术表演场、陶器作坊、油作坊、酒作坊、旋木作坊、传统饮食区、纺织院、竹编院、千斤拍、山神庙、杏花咀、自耕区、菜园子等。游客不但可观、而且可以亲自操作演示。农耕村里还有中原第一炮，那声音震得仿佛能把山都震碎，如果不捂耳朵，真能把人都给震聋呢!

是呀，“既有重渡沟，何须下江南?”

朋友们，下面我们将参观龙门石窟西山北端第一个大窟潜溪寺。潜溪寺为唐高宗初年雕造。洞内造像为一佛、二弟-子、二菩萨、二天王。主像阿弥陀佛居中而坐，身体各部比例匀称，面容丰满，胸部隆起，表情静穆慈祥。两侧观世音、大势至菩萨体躯比例适中，丰满敦厚，表情温雅文静，富于人情味，揭示了唐初雕刻艺术的长足发展。阿弥陀佛和观世音、大势至菩萨合称为“西方三圣”，是佛教净土宗供奉的偶像。

隋唐时代是中国佛教发展的又一个繁盛期。佛教学风在“破斥南北、禅义均弘”形势下，南北佛教徒们不断的交流和互相影响，完成了对以前各种佛教学说的概括和总结，从而使佛教中国化的趋向更加明显，也使佛教造像艺术充满了清新与活力。因此，在造像艺术上发生了不同于北魏时代造像风格的变化，潜溪寺中的造像已揭开了盛唐那种丰腴、典雅的造像风格的序曲。

宾阳中洞

北魏孝文帝迁都洛阳后，实行了意义重大、比较彻底的汉化改革，历史上称为“孝文改制”。由最高统治者实行的政治上的改革必然对当时皇家贵族发愿开凿的佛教石窟造像有一定影响。下面我们将参观的宾阳中洞的造像风格和服饰就是孝文帝改制在文化上的反映。